So I’ve finally seen this movie that you probably lost interest in months ago, and I has some thoughts. (And some spoilers, though not much more than is given away by the title.)
I’m not a proper film critic type, so I don’t really know how to integrate the various levels on which the film acts, or how much weight to give them. On a scientific level, for instance, it was seriously problematic. The “gene therapy” that gives the apes super-intelligence is well beyond even plausible science fiction, and acts as a mixture of miracle and MacGuffin in its ability to do what the story needs it to. A single treatment, and every chimpanzee it’s exposed to suddenly acquires human-level thinking. In humans, the same stuff cures Alzheimer’s overnight. (And it’s aerosolised, for no good reasons that aren’t contrived by the plot.)
The notion of just what intelligence is bothered me as well. The apes don’t just get smarter, they essentially become different-looking humans. Every facial expression, every tic, every gesture, is clearly recognisable and understood when you watch them. You can follow the thought processes behind every decision they make, and even their manual dexterity suddenly seems to mirror that of humans in a way I don’t think is natural to chimps. I get that this kind of relatability is generally something you want in your protagonists, but it jarred here. Andy Serkis does a brilliant job in the whole motion capture thing, but that may be part of the problem. It felt like there should be a less lazy way to humanise these characters – or, perhaps, to make us care about them even when humanising them isn’t appropriate.
(At the same time, the extent of the apes’ physical superiority to humans was off-puttingly exaggerated. They regularly leapt through plate glass as if it literally wasn’t there, and fell forty feet onto concrete ground as if hopping off a bus. I know they could all kick my ass without breaking a sweat, but this was a bit much.)
The counterpoint to all this, on the other hand, is that I’m not sure how much it matters.
Well, no, I’m sure that a lot of it does matter, partly for aesthetic reasons and partly for the sake of internal consistency. But on another level (if I can talk about there being, philosophically, “another level” to a film without sounding like either a pretentious twat or someone trying to retro-actively buzz-market Dane Bowers’s music career) it’s not really about any of these things. It’s about an uprising; it’s about oppression; it’s about a race realising what their rights are, and that they’re being trampled on, and that they can fight for them.
On some level, it is about different-looking humans.
It’s not that the apes are simply a metaphorical stand-in for black people, or Native Americans, or the proles, or anything that straight-forward. They’re apes. But maybe some of the technical details need not be as important as the story that the film’s trying to tell, and what it says about the world. The apes treated with the gene therapy unquestionably have intelligence, personalities, “personhood”, and just about everything you’d expect to see in an agent deserving of human respect and dignity. But they’re seen as less than human, as pets, as experimental subjects. They’re hated and feared, in a way that shows up our prejudices, rather than reflecting their own nature. We act like we can treat them essentially however we like, and when they rebel they display unexpected levels of intelligence, self-control, and humanity.
Never mind for a moment that it’s not technically realistic in apes. Do we see something like this anywhere else in the world?
As a simple tale of rising up against bondage, it’s entertainingly told, but even this could have been handled better. The antagonists are too… antagonisty. (Thought I should remind you I’m really not a proper film reviewer.) We’re not given anything at all to like about David Hewlett’s character; he first appears only to exemplify the prejudice with which the apes are seen, when he violently threatens a chimp who leaps playfully onto his property without meaning any harm. (In fact, given what we know about chimpanzee behaviour in the real world, he would have had every reason to be seriously frightened for the safety of his children – a significant problem with the set-up of the apes as unfairly maligned underdogs.) Draco doesn’t get any more of a rounded character when he turns up; he’s just a total bastard all the time, and when your bad guys are all just total bastards all the time, I think it weakens the power of your allegory.
I haven’t seen the film The Help, but I read one criticism of it which seemed insightful (though might not be fair, for all I know). The attitudes toward race and racial roles in the film (as I read) are basically divided between two types of characters. Some are as magnificently progressive as you’d hope anyone could be (even by today’s standards), believe that any discrimination between whites and blacks is an injustice, and sympathise deeply with the plight of all the African-Americans in question. The others are entirely callous to the notion that black people might have any feelings worth worrying about, openly scorn and despise them, and ridicule the very idea that anything needs to change.
All of which ignores a substantial and vital aspect of the history of race relations: decent people who genuinely meant well, and weren’t evil or heartless by any means, but were so unable to see past their standard view of the world that they contributed little to any progressive movement either.
I think Rise of the Planet of the Apes has a similar problem. The baddies are very obviously baddies, because of how they’re mean to animals and stuff. But I think it could have been a more profound allegory if it had done more to take into account the role of complacency and rationalisation in tyranny and subjugation.
Thomas Jefferson owned slaves. It’s not always about inhumanity and malice. Sometimes people are just wrong.
(Abrupt ending due to losing my train of thought a bit and deciding I’ve probably made my point quite well enough, whatever it is.)
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